The painting starts as the crosshairs of a target as seen by the bombadere. It is David...
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In the summer, after only several months of pandemic, I began. Rather than my plan, which was to make tall energetic, ones, steadfast companions of clay, as an antidote to the ennui and fearfulness, I found myself making this character instead. Slowly rattled out through hands, through the dull long anxiety...
We might change our awareness, disconnecting it from our somatic realty. When disbanding with the need for physical logic, up is not up. Our perspective begins from the context of the air, or the body, or deep in the layers under the ground. It is a perseverative view, a woven...
The painting starts as the crosshairs of a target as seen by the bombadere. It is David Arsenault's design for "Grounded" at The Kitchen Theatre in April of 2019. The play is very serious. the painting however was playful, litterally wacked up with paint on sticks.
I stand at my desk, practice painting, visual rumination, sorting out color and action, dreaming of the theater. A year ago I began painting at Kitchen Theatre. I have learned that I can make plans, and I dream the dream, standing at the desk, yet when it comes time to paint there is only action with no time to...
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